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    Cottages at Auvers-sur-Oise (1890) by Vincent van Gogh

     

    Cottages at Auvers-sur-Oise (1890) by Vincent van Gogh

    Price range: £40.00 through £350.00

    Experience the Vitality of Van Gogh’s Final Days

    Bring a piece of art history into your home with this stunning reproduction of “Cottages at Auvers-sur-Oise,” painted by Vincent van Gogh in May 1890. This work was created during the final, incredibly prolific months of the artist’s life in the small village of Auvers, just north of Paris.

    In this landscape, Van Gogh transforms a simple row of thatched cottages into a swirling, rhythmic dance of color and light. The painting features his signature impasto technique, where thick, expressive brushstrokes create a sense of movement and physical texture.

    • Color Palette: A vibrant harmony of sky blues, earthy greens, and sun-drenched yellows that breathe life into any room.
    • Composition: The undulating hills and the dramatic, cloud-swept sky showcase Van Gogh’s unique ability to find the extraordinary within the ordinary rural landscape.
    • Emotional Impact: This piece captures the “purer air” Van Gogh sought in the countryside, blending a sense of rustic peace with his characteristic restless energy.

    Vincent van Gogh (1853–1890)

    Vincent van Gogh was a Dutch Post-Impressionist painter who became one of the most influential figures in Western art history. Despite his modern fame, he struggled with poverty and mental illness throughout his life, selling only one painting before his death. After failed stints as an art dealer and lay preacher, Van Gogh turned to painting at age 27. His early work, like The Potato Eaters, used dark, earthy tones. However, moving to Paris and later Arles transformed his style into the vibrant, expressive brushwork seen in masterpieces like The Starry Night and Sunflowers Supported financially and emotionally by his brother, Theo, Vincent produced over 2,100 artworks in just a decade. In 1890, at age 37, he died from a self-inflicted gunshot wound, leaving behind a legacy that redefined the use of color and emotion in art.

    Museum-grade Giclée Prints

    We use one of the world’s most popular Fine Art paper, the Hahnemühle Photo Rag® 308gsm, and archival inks, for high-quality Fine Art printing. The white cotton artist’s paper, with its characteristic, wonderfully soft feel, boasts a lightly defined felt structure, lending each artwork a three-dimensional appearance and impressive pictorial depth. This paper produces outstanding prints that feature brilliant colours, deep blacks, striking contrasts and perfect reproduction of detail. This acid- and lignin-free classic meets the most exacting requirements for age resistance and is specially designed for FineArt applications. Printed with a white border on all sides to preserve the image, reflect established gallery practice and allow proper framing. Borders can vary around an art print, particularly to preserve the original aspect ratio of the artwork and fit it onto standard paper or frame sizes without cropping or distortion. This ensures the artist’s original composition is maintained. (Typicall borders sizes – Small: 20mm, Medium: 30mm, Large: 40mm, Collector & Exhibition: 50mm)

    Framing (Framed option)

    Elevate your space with our wooden picture frames – where modern design meets sustainable craftsmanship. Our frames offer timeless elegance with its classic design. Each frame features high-quality edge-ground float glass (no sharp edges), an acid-free barrier paper and a robust MDF backing.They come with sawtooth hangers for both portrait and landscape orientation, and feature push and turn clips. Crafted in Germany from FSC®-certified wood, these frames are made from sustainably managed forests that adhere to Forest Stewardship Council standards.

    Presentation

    • Minimal profile, gallery-standard finish
    • Prints are supplied ready to hang when framed and presented without a mount, allowing the artwork to fill the frame.

    • Unframed prints are delivered flat and carefully protected.

     

    Paper Size

    Small (A4 21 x 29.7 cm), Medium (A3 29.7 x 42 cm), Large (A2 42 x 59.4 cm), Collector (A1 59.4 x 84.1 cm), Exhibition (A0 84.1 x 118.9 cm)

    Frame

    Unframed, Black, White

    Artist

    Vincent van Gogh

    Date

    1890

    Museum Grade Giclée Print

    Archival pigment print on 308gsm matt cotton rag paper

    Delivery

    Tracked & insured within 14 business days

    The Arena in Arles (1888), Vincent van Gogh

     

    The Arena in Arles (1888) by Vincent van Gogh

    Price range: £40.00 through £350.00

    Bring a piece of art history into your home with this stunning reproduction of Vincent van Gogh’s “The Arena in Arles.” Painted during the artist’s prolific stay in the South of France, this masterpiece captures the vibrant energy and bustling atmosphere of a traditional bullfight.

    Unlike typical depictions of the sport, Van Gogh shifts the focus away from the center of the ring and onto the spectators. The composition features a sea of stylized figures, colorful traditional Provencal costumes, and the artist’s signature bold brushwork. The striking contrast between the cool blues of the crowd and the searing, sun-drenched yellow of the arena floor creates a sense of heat and excitement characteristic of his Arles period.

    Vincent van Gogh (1853–1890)

    Vincent van Gogh was a Dutch Post-Impressionist painter who became one of the most influential figures in Western art history. Despite his modern fame, he struggled with poverty and mental illness throughout his life, selling only one painting before his death.
    After failed stints as an art dealer and lay preacher, Van Gogh turned to painting at age 27. His early work, like The Potato Eaters, used dark, earthy tones. However, moving to Paris and later Arles transformed his style into the vibrant, expressive brushwork seen in masterpieces like The Starry Night and Sunflowers
    Supported financially and emotionally by his brother, Theo, Vincent produced over 2,100 artworks in just a decade. In 1890, at age 37, he died from a self-inflicted gunshot wound, leaving behind a legacy that redefined the use of color and emotion in art.

    Museum-grade Giclée Prints

    We use one of the world’s most popular Fine Art paper, the Hahnemühle Photo Rag® 308gsm, and archival inks, for high-quality Fine Art printing. The white cotton artist’s paper, with its characteristic, wonderfully soft feel, boasts a lightly defined felt structure, lending each artwork a three-dimensional appearance and impressive pictorial depth. This paper produces outstanding prints that feature brilliant colours, deep blacks, striking contrasts and perfect reproduction of detail. This acid- and lignin-free classic meets the most exacting requirements for age resistance and is specially designed for FineArt applications.

    Printed with a white border on all sides to preserve the image, reflect established gallery practice and allow proper framing.
    Borders can vary around an art print, particularly to preserve the original aspect ratio of the artwork and fit it onto standard paper or frame sizes without cropping or distortion. This ensures the artist’s original composition is maintained.
    (Typicall borders sizes – Small: 20mm, Medium: 30mm, Large: 40mm, Collector & Exhibition: 50mm)

    Framing (Framed option)

    Elevate your space with our wooden picture frames – where modern design meets sustainable craftsmanship. Our frames offer timeless elegance with its classic design.
    Each frame features high-quality edge-ground float glass (no sharp edges), an acid-free barrier paper and a robust MDF backing.They come with sawtooth hangers for both portrait and landscape orientation, and feature push and turn clips. Crafted in Germany from FSC®-certified wood, these frames are made from sustainably managed forests that adhere to Forest Stewardship Council standards.

    Presentation

    • Minimal profile, gallery-standard finish
    • Prints are supplied ready to hang when framed and presented without a mount, allowing the artwork to fill the frame.

    • Unframed prints are delivered flat and carefully protected.

     

    Paper Size

    Small (A4 21 x 29.7 cm), Medium (A3 29.7 x 42 cm), Large (A2 42 x 59.4 cm), Collector (A1 59.4 x 84.1 cm), Exhibition (A0 84.1 x 118.9 cm)

    Frame

    Unframed, Black, White

    Artist

    Vincent van Gogh

    Date

    1888

    Museum Grade Giclée Print

    Archival pigment print on 308gsm matt cotton rag paper

    Delivery

    Tracked & insured within 14 business days

    Titania Awakes: A Midsummer Night’s Dream (1793–1794), Henry Fuseli

     

    Titania Awakes: A Midsummer Night’s Dream by Henry Fuseli

    Price range: £40.00 through £350.00

    Experience the Enchantment of Shakespeare’s Most Magical Night

    Bring a touch of the ethereal and the macabre to your home with this stunning reproduction of Henry Fuseli’s masterpiece, Titania Awakes. Originally painted for the Boydell Shakespeare Gallery, this work depicts the Fairy Queen Titania under a magic spell, waking to fall deeply in love with Bottom—a common weaver who has been transformed into a donkey-headed creature.

    Henry Fuseli (1741–1825)

    Henry Fuseli, born Johann Heinrich Füssli in Zurich, was a Swiss-born painter, writer, and theorist who became one of the most distinctive figures of British Romantic art. After settling in England, Fuseli developed a dramatic and highly imaginative style marked by exaggerated forms, intense emotion, and literary subject matter. He drew inspiration from classical mythology, Shakespeare, Milton, and Nordic legend, often depicting scenes of psychological tension and supernatural power. Fuseli later served as Professor of Painting and Keeper at the Royal Academy in London, where his ideas influenced a generation of Romantic artists.

    Museum-grade Giclée Prints

    We use one of the world’s most popular Fine Art paper, the Hahnemühle Photo Rag® 308gsm, and archival inks, for high-quality Fine Art printing. The white cotton artist’s paper, with its characteristic, wonderfully soft feel, boasts a lightly defined felt structure, lending each artwork a three-dimensional appearance and impressive pictorial depth. This paper produces outstanding prints that feature brilliant colours, deep blacks, striking contrasts and perfect reproduction of detail. This acid- and lignin-free classic meets the most exacting requirements for age resistance and is specially designed for FineArt applications.

    Printed with a white border on all sides to preserve the image, reflect established gallery practice and allow proper framing.
    Borders can vary around an art print, particularly to preserve the original aspect ratio of the artwork and fit it onto standard paper or frame sizes without cropping or distortion. This ensures the artist’s original composition is maintained.
    (Typicall borders sizes – Small: 20mm, Medium: 30mm, Large: 40mm, Collector & Exhibition: 50mm)

    Framing (Framed option)

    Elevate your space with our wooden picture frames – where modern design meets sustainable craftsmanship. Our frames offer timeless elegance with its classic design.
    Each frame features high-quality edge-ground float glass (no sharp edges), an acid-free barrier paper and a robust MDF backing.They come with sawtooth hangers for both portrait and landscape orientation, and feature push and turn clips. Crafted in Germany from FSC®-certified wood, these frames are made from sustainably managed forests that adhere to Forest Stewardship Council standards.

    Presentation

    • Minimal profile, gallery-standard finish
    • Prints are supplied ready to hang when framed and presented without a mount, allowing the artwork to fill the frame.

    • Unframed prints are delivered flat and carefully protected.

     

    Paper Size

    Small (A4 21 x 29.7 cm), Medium (A3 29.7 x 42 cm), Large (A2 42 x 59.4 cm), Collector (A1 59.4 x 84.1 cm), Exhibition (A0 84.1 x 118.9 cm)

    Frame

    Unframed, Black, White

    Artist

    Henry Fuseli

    Date

    1793–1794

    Museum Grade Giclée Print

    Archival pigment print on 308gsm matt cotton rag paper

    Delivery

    Tracked & insured within 14 business days

    The Night-Hag Visiting Lapland Witches (1796), Henry Fuseli

     

    The Night-Hag Visiting Lapland Witches (1796) – Henry Fuseli – Fine Art Print

    Price range: £40.00 through £350.00

    Embrace the Macabre with Henry Fuseli’s Gothic Masterpiece

    Bring a touch of dark, eighteenth-century folklore into your space with this high-quality reproduction of The Night-Hag Visiting Lapland Witches. Painted in 1796 by the legendary Henry Fuseli, this work is a premier example of the Gothic Horror movement and Romanticism.

    About the Artwork Inspired by a passage from John Milton’s Paradise Lost, the painting depicts a chilling ritual. The central figure—the “Night-Hag”—is shown amidst a group of Lapland witches, who were historically rumored to possess powerful, dark magic. The composition is defined by Fuseli’s signature style: dramatic chiaroscuro (contrast between light and dark), distorted muscular figures, and a palpable sense of nightmare-induced dread.

    Why This Piece? Whether you are a collector of occult imagery, a fan of Milton’s literature, or someone who appreciates the “Dark Romantic” aesthetic, this piece serves as a powerful conversation starter. Its moody palette and supernatural subject matter make it ideal for libraries, studies, or any room with a vintage, gothic, or academic atmosphere.

    Henry Fuseli (1741–1825)

    Henry Fuseli, born Johann Heinrich Füssli in Zurich, was a Swiss-born painter, writer, and theorist who became one of the most distinctive figures of British Romantic art. After settling in England, Fuseli developed a dramatic and highly imaginative style marked by exaggerated forms, intense emotion, and literary subject matter. He drew inspiration from classical mythology, Shakespeare, Milton, and Nordic legend, often depicting scenes of psychological tension and supernatural power. Fuseli later served as Professor of Painting and Keeper at the Royal Academy in London, where his ideas influenced a generation of Romantic artists.

    Museum-grade Giclée Prints

    We use one of the world’s most popular Fine Art paper, the Hahnemühle Photo Rag® 308gsm, and archival inks, for high-quality Fine Art printing. The white cotton artist’s paper, with its characteristic, wonderfully soft feel, boasts a lightly defined felt structure, lending each artwork a three-dimensional appearance and impressive pictorial depth. This paper produces outstanding prints that feature brilliant colours, deep blacks, striking contrasts and perfect reproduction of detail. This acid- and lignin-free classic meets the most exacting requirements for age resistance and is specially designed for FineArt applications.

    Printed with a white border on all sides to preserve the image, reflect established gallery practice and allow proper framing.
    Borders can vary around an art print, particularly to preserve the original aspect ratio of the artwork and fit it onto standard paper or frame sizes without cropping or distortion. This ensures the artist’s original composition is maintained.
    (Typicall borders sizes – Small: 20mm, Medium: 30mm, Large: 40mm, Collector & Exhibition: 50mm)

    Framing (Framed option)

    Elevate your space with our wooden picture frames – where modern design meets sustainable craftsmanship. Our frames offer timeless elegance with its classic design.
    Each frame features high-quality edge-ground float glass (no sharp edges), an acid-free barrier paper and a robust MDF backing.They come with sawtooth hangers for both portrait and landscape orientation, and feature push and turn clips. Crafted in Germany from FSC®-certified wood, these frames are made from sustainably managed forests that adhere to Forest Stewardship Council standards.

    Presentation

    • Minimal profile, gallery-standard finish
    • Prints are supplied ready to hang when framed and presented without a mount, allowing the artwork to fill the frame.

    • Unframed prints are delivered flat and carefully protected.

     

    Paper Size

    Small (A4 21 x 29.7 cm), Medium (A3 29.7 x 42 cm), Large (A2 42 x 59.4 cm), Collector (A1 59.4 x 84.1 cm), Exhibition (A0 84.1 x 118.9 cm)

    Frame

    Unframed, Black, White

    Artist

    Henry Fuseli

    Date

    1796

    Museum Grade Giclée Print

    Archival pigment print on 308gsm matt cotton rag paper

    Delivery

    Tracked & insured within 14 business days

    The Three Witches (1783) – Henry Fuseli – Fine Art Print

     

    The Three Witches (1783) – Henry Fuseli – Fine Art Print

    Price range: £40.00 through £350.00

    Bring the haunting atmosphere of Shakespeare’s Macbeth into your space with this classic masterpiece by Henry Fuseli. The Three Witches captures the moment the “Weird Sisters” first encounter Macbeth and Banquo on the blasted heath, pointing in eerie unison toward an unseen future.

    Fuseli, a master of the sublime and the supernatural, uses dramatic chiaroscuro (the contrast of light and dark) to highlight the witches’ sharp, rhythmic profiles and skeletal hands. This piece is a hallmark of Romantic-era art, blending gothic horror with theatrical intensity. Perfect for lovers of classic literature, dark academia aesthetics, and historical fine art, this striking composition adds a touch of mystery and intellectual depth to any gallery wall.

    Henry Fuseli (1741–1825)

    Henry Fuseli, born Johann Heinrich Füssli in Zurich, was a Swiss-born painter, writer, and theorist who became one of the most distinctive figures of British Romantic art. After settling in England, Fuseli developed a dramatic and highly imaginative style marked by exaggerated forms, intense emotion, and literary subject matter. He drew inspiration from classical mythology, Shakespeare, Milton, and Nordic legend, often depicting scenes of psychological tension and supernatural power. Fuseli later served as Professor of Painting and Keeper at the Royal Academy in London, where his ideas influenced a generation of Romantic artists.

    Museum-grade Giclée Prints

    We use one of the world’s most popular Fine Art paper, the Hahnemühle Photo Rag® 308gsm, and archival inks, for high-quality Fine Art printing. The white cotton artist’s paper, with its characteristic, wonderfully soft feel, boasts a lightly defined felt structure, lending each artwork a three-dimensional appearance and impressive pictorial depth. This paper produces outstanding prints that feature brilliant colours, deep blacks, striking contrasts and perfect reproduction of detail. This acid- and lignin-free classic meets the most exacting requirements for age resistance and is specially designed for FineArt applications.

    Printed with a white border on all sides to preserve the image, reflect established gallery practice and allow proper framing.
    Borders can vary around an art print, particularly to preserve the original aspect ratio of the artwork and fit it onto standard paper or frame sizes without cropping or distortion. This ensures the artist’s original composition is maintained.
    (Typicall borders sizes – Small: 20mm, Medium: 30mm, Large: 40mm, Collector & Exhibition: 50mm)

    Framing (Framed option)

    Elevate your space with our wooden picture frames – where modern design meets sustainable craftsmanship. Our frames offer timeless elegance with its classic design.
    Each frame features high-quality edge-ground float glass (no sharp edges), an acid-free barrier paper and a robust MDF backing.They come with sawtooth hangers for both portrait and landscape orientation, and feature push and turn clips. Crafted in Germany from FSC®-certified wood, these frames are made from sustainably managed forests that adhere to Forest Stewardship Council standards.

    Presentation

    • Minimal profile, gallery-standard finish
    • Prints are supplied ready to hang when framed and presented without a mount, allowing the artwork to fill the frame.

    • Unframed prints are delivered flat and carefully protected.

     

    Paper Size

    Small (A4 21 x 29.7 cm), Medium (A3 29.7 x 42 cm), Large (A2 42 x 59.4 cm), Collector (A1 59.4 x 84.1 cm), Exhibition (A0 84.1 x 118.9 cm)

    Frame

    Unframed, Black, White

    Artist

    Henry Fuseli

    Date

    1783

    Museum Grade Giclée Print

    Archival pigment print on 308gsm matt cotton rag paper

    Delivery

    Tracked & insured within 14 business days

    The Nightmare (1790-1791) by Henry Fuseli – Fine Art Print

     

    The Nightmare (1790-1791) by Henry Fuseli Art

    Price range: £40.00 through £350.00

    Elevate your walls with this haunting reproduction of Johann Heinrich Füssli’s (Henry Fuseli) 1791 reimagining of The Nightmare. Following the massive success of his original 1781 composition, Füssli returned to his most famous subject to create this even more atmospheric and refined version. The painting serves as a chilling portal into the subconscious, featuring a woman gripped by sleep paralysis as a sinister incubus perches heavily upon her. From the deep, theatrical shadows, a spectral horse with white, pupilless eyes emerges, embodying the “night-mare” of folklore.

    Füssli’s mastery of the Sublime—the meeting of beauty and terror—is on full display here. This 1791 version is prized by art historians for its tighter composition and the intense, almost theatrical lighting that highlights the vulnerability of the sleeper against the encroaching darkness.

    Henry Fuseli (1741–1825)

    Henry Fuseli, born Johann Heinrich Füssli in Zurich, was a Swiss-born painter, writer, and theorist who became one of the most distinctive figures of British Romantic art. After settling in England, Fuseli developed a dramatic and highly imaginative style marked by exaggerated forms, intense emotion, and literary subject matter. He drew inspiration from classical mythology, Shakespeare, Milton, and Nordic legend, often depicting scenes of psychological tension and supernatural power. Fuseli later served as Professor of Painting and Keeper at the Royal Academy in London, where his ideas influenced a generation of Romantic artists.

    Museum-grade Giclée Prints

    We use one of the world’s most popular Fine Art paper, the Hahnemühle Photo Rag® 308gsm, and archival inks, for high-quality Fine Art printing. The white cotton artist’s paper, with its characteristic, wonderfully soft feel, boasts a lightly defined felt structure, lending each artwork a three-dimensional appearance and impressive pictorial depth. This paper produces outstanding prints that feature brilliant colours, deep blacks, striking contrasts and perfect reproduction of detail. This acid- and lignin-free classic meets the most exacting requirements for age resistance and is specially designed for FineArt applications.

    Printed with a white border on all sides to preserve the image, reflect established gallery practice and allow proper framing.
    Borders can vary around an art print, particularly to preserve the original aspect ratio of the artwork and fit it onto standard paper or frame sizes without cropping or distortion. This ensures the artist’s original composition is maintained.
    (Typicall borders sizes – Small: 20mm, Medium: 30mm, Large: 40mm, Collector & Exhibition: 50mm)

    Framing (Framed option)

    Elevate your space with our wooden picture frames – where modern design meets sustainable craftsmanship. Our frames offer timeless elegance with its classic design.
    Each frame features high-quality edge-ground float glass (no sharp edges), an acid-free barrier paper and a robust MDF backing.They come with sawtooth hangers for both portrait and landscape orientation, and feature push and turn clips. Crafted in Germany from FSC®-certified wood, these frames are made from sustainably managed forests that adhere to Forest Stewardship Council standards.

    Presentation

    • Minimal profile, gallery-standard finish
    • Prints are supplied ready to hang when framed and presented without a mount, allowing the artwork to fill the frame.

    • Unframed prints are delivered flat and carefully protected.

     

    Paper Size

    Small (A4 21 x 29.7 cm), Medium (A3 29.7 x 42 cm), Large (A2 42 x 59.4 cm), Collector (A1 59.4 x 84.1 cm), Exhibition (A0 84.1 x 118.9 cm)

    Frame

    Unframed, Black, White

    Artist

    Henry Fuseli

    Date

    1790-1791

    Museum Grade Giclée Print

    Archival pigment print on 308gsm matt cotton rag paper

    Delivery

    Tracked & insured within 14 business days